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	<title>Uncategorized – AEPO-ARTIS</title>
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	<item>
		<title>Performers, Policy, and Progress:  what the Irish EU Presidency  can unlock</title>
		<link>https://www.aepo-artis.org/performers-policy-and-progress-what-the-irish-eu-presidency-can-unlock/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=performers-policy-and-progress-what-the-irish-eu-presidency-can-unlock</link>
		
		<dc:creator><![CDATA[AEPO-ARTIS]]></dc:creator>
		<pubDate>Fri, 13 Mar 2026 09:31:24 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.aepo-artis.org/?p=250582</guid>

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				</div><p>The post <a href="https://www.aepo-artis.org/performers-policy-and-progress-what-the-irish-eu-presidency-can-unlock/">Performers, Policy, and Progress:  what the Irish EU Presidency  can unlock</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></content:encoded>
					
		
		
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		<title>MUSIC360 closing event at the European Parliament</title>
		<link>https://www.aepo-artis.org/music360-closing-event-at-the-parliament/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=music360-closing-event-at-the-parliament</link>
		
		<dc:creator><![CDATA[AEPO-ARTIS]]></dc:creator>
		<pubDate>Mon, 02 Feb 2026 11:34:49 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.aepo-artis.org/?p=250422</guid>

					<description><![CDATA[<p>Join us for an&#160;afternoon&#160;session&#160;at the European Parliament&#160;in Brussels on Wednesday,&#160;25th February 2026 from 15:00 to 17:00 hrs CET&#160;(Room&#160;A3F383)&#160;kindly hosted by&#160;MEP Hélder Sousa Silva (EPP, Portugal)&#160;where&#160;The Music 360 Project&#160;will be presented...</p>
<p>The post <a href="https://www.aepo-artis.org/music360-closing-event-at-the-parliament/">MUSIC360 closing event at the European Parliament</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></description>
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									<p>Join us for an&nbsp;afternoon&nbsp;session&nbsp;<strong>at the European Parliament&nbsp;</strong><strong>in Brussels on Wednesday,&nbsp;</strong><strong>25th February 2026 from 15:00 to 17:00 hrs CET</strong>&nbsp;<strong>(Room&nbsp;A3F383</strong><strong>)</strong>&nbsp;kindly hosted by&nbsp;<strong>MEP Hélder Sousa Silva (EPP, Portugal)&nbsp;</strong>where&nbsp;<strong><a href="https://music-360.eu/">The Music 360 Project</a></strong>&nbsp;will be presented by its partners in a meeting titled “360 Degrees Perspective on the Value of Music”. Please see the <a href="https://www.aepo-artis.org/music360-closing-event-at-the-parliament/">agenda here</a>.</p>
<p><strong><a href="https://music-360.eu/">The Music 360 Project</a>&nbsp;</strong>evolves around the professional utilisation of background music in various settings like shops, bars, restaurants, sports clubs, and more. Background music isn’t just ambiance; it’s a crucial element enhancing customer experience, defining brand identity, and ultimately, driving revenue. Surprisingly, background music, including live performances, contributes significantly to royalties for artists, more than streaming platforms. However, the existing system of royalty distribution poses challenges.The work that has been undertaken provides the first comprehensive and evidence-based insight into the value of the public performance of music.</p>
<p>Kindly note that the registration is mandatory – please register &nbsp;<a href="https://docs.google.com/forms/d/e/1FAIpQLSfXINPES2L_lDLzPYvUy5X4EU6KrFyYwVbISydKEBTMdztW6g/viewform?usp=header"><span style="text-decoration: underline;">via this link</span></a>.</p>								</div>
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															<img decoding="async" width="640" height="913" src="https://www.aepo-artis.org/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-21.34.37-718x1024.png" class="attachment-large size-large wp-image-250537" alt="" srcset="https://www.aepo-artis.org/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-21.34.37-718x1024.png 718w, https://www.aepo-artis.org/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-21.34.37-210x300.png 210w, https://www.aepo-artis.org/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-21.34.37-768x1096.png 768w, https://www.aepo-artis.org/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-21.34.37-600x856.png 600w, https://www.aepo-artis.org/wp-content/uploads/2026/02/Screenshot-2026-02-24-at-21.34.37.png 938w" sizes="(max-width: 640px) 100vw, 640px" />															</div>
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				</div><p>The post <a href="https://www.aepo-artis.org/music360-closing-event-at-the-parliament/">MUSIC360 closing event at the European Parliament</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></content:encoded>
					
		
		
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		<title>AEPO-ARTIS attends WIPO 45th SCCR</title>
		<link>https://www.aepo-artis.org/aepo-artis-attends-wipo-45th-sccr/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=aepo-artis-attends-wipo-45th-sccr</link>
		
		<dc:creator><![CDATA[AEPO-ARTIS]]></dc:creator>
		<pubDate>Thu, 25 Apr 2024 05:17:17 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audiovisual]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performers]]></category>
		<category><![CDATA[performing arts]]></category>
		<category><![CDATA[WIPO]]></category>
		<guid isPermaLink="false">https://www.aepo-artis.org/?p=238404</guid>

					<description><![CDATA[<p>From 15th to 19th April, Geneva was the setting for WIPO&#8217;s 45th Standing Committee on Copyright and Related Rights. AEPO-ARTIS was present with a small delegation, spoke with multiple country...</p>
<p>The post <a href="https://www.aepo-artis.org/aepo-artis-attends-wipo-45th-sccr/">AEPO-ARTIS attends WIPO 45th SCCR</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></description>
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									<p>From 15th to 19th April, Geneva was the setting for WIPO&#8217;s 45th Standing Committee on Copyright and Related Rights. AEPO-ARTIS was present with a small delegation, spoke with multiple country delegates, met with the African group, the GRULAC and the European Union and had its hand in two events that aimed at putting performers and their right to remuneration back on WIPO’s radar.</p><p>On 17 April, in conjunction with FILAIE, FIM and SCAPR, AEPO-ARTIS co-organised “Music Streaming &#8211; How to Fix an Unfair Business Model”. The panel presented a number of problems with the music streaming industry together with a proposed solution based on the AEPO-ARTIS recommendation to introduce a right to equitable remuneration, subject to collective management.</p>								</div>
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									<p>Two musicians &#8211; Julie Freundt (a featured artist from Peru) and Jepa Lambert (a non-featured artist from Finland) explained the difficulties they face pursuing their chosen career, highlighting the low levels of remuneration despite being successful in their respective areas.</p><p>The discussions focussed on the remuneration of actors and in particular the practices that exist in Belgium, Slovenia and Ecuador, all of which have in place a statutory remuneration right applicable to audiovisual streaming. The participants were extremely well-informed and clearly explained the benefits of collective management, not just to performers, but also to certain producers.</p>								</div>
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									<p>On 18 April AEPO-ARTIS hosted a second panel to discuss the fair remuneration of actors in the digital environment. The panel, moderated by Ioan Kaes, featured the Belgian actor Gilles De Schryver, the Slovenian actress Nika Rozman and Federico Duret, Executive Director of UNIARTE, the Ecuadorian collective management organisation for actors.</p><p>The discussions focussed on the remuneration of actors and in particular the practices that exist in Belgium, Slovenia and Ecuador, all of which have in place a statutory remuneration right applicable to audiovisual streaming. The participants were extremely well-informed and clearly explained the benefits of collective management, not just to performers, but also to certain producers.</p>								</div>
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															<img loading="lazy" decoding="async" width="640" height="386" src="https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-1024x618.png" class="attachment-large size-large wp-image-238407" alt="" srcset="https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-1024x618.png 1024w, https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-300x181.png 300w, https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-768x464.png 768w, https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-1536x927.png 1536w, https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-2048x1236.png 2048w, https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-1920x1159.png 1920w, https://www.aepo-artis.org/wp-content/uploads/2024/05/Screenshot-2024-04-30-at-22.36.36-600x362.png 600w" sizes="(max-width: 640px) 100vw, 640px" />															</div>
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									<p>The threat of AI to the actors’ community was also addressed. A recorded message from the French dubbing artist Marjorie Frantz highlighted that the voices of deceased actors can even be used, without the family’s consent, thus illustrating that the threats of AI are not only economic, but are personal too.</p><p>The efforts have paid off. The proposal introduced by Ivory Coast in November 2023, requesting WIPO to conduct a study on the remuneration of authors in the audiovisual sector, received full support from all countries. But, more importantly, our request to extend this study to include the remuneration of performers was accepted unanimously as well.</p>								</div>
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									<p>Less  progress can be reported for what concerns the GRULAC proposal to make the topic of ‘Copyright in the digital environment’ an official standing item on the agenda. While GRULAC had prepared – upon the request of several delegations &#8211; a detailed workplan, many continued to hide behind the same old argument: “too little time”. The US, on the other hand, remain completely opposed to any further discussion of the topic. They believe that performers hold all necessary rights as a consequence of the WPPT and that any discussion about fair remuneration is a discussion between two contracting parties.</p>								</div>
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									<p>The lack of time was apparently not an argument against AI. On Thursday, most of the agenda was occupied by a long information session on the Opportunities and Challenges Raised by Generative AI. Despite interesting interventions, this session raised little that had not already been covered in other WIPO meetings. Nonetheless, a large majority of delegations supported the proposal to provide a follow-up session during the next SCCR.</p>								</div>
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									<p>On Friday multiple organisations denounced the lack of progress and will to work on a framework that makes the WIPO treaties workable for digital exploitation. AEPO-ARTIS pronounced its full support for the GRULAC proposal stating that: “Signing and ratifying treaties does not make fair remuneration for performers in the digital environment a fait accompli.</p><p>You can read the full statement <a href="https://www.aepo-artis.org/wp-content/uploads/2024/04/AEPO-ARTIS-WIPO-SCCR-45-statement.pdf">via this link</a>.</p>								</div>
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															<img loading="lazy" decoding="async" width="518" height="392" src="https://www.aepo-artis.org/wp-content/uploads/2024/05/WIPO-SCCR.png" class="attachment-large size-large wp-image-238408" alt="" srcset="https://www.aepo-artis.org/wp-content/uploads/2024/05/WIPO-SCCR.png 518w, https://www.aepo-artis.org/wp-content/uploads/2024/05/WIPO-SCCR-300x227.png 300w" sizes="(max-width: 518px) 100vw, 518px" />															</div>
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									<p>At the closing of the Committee, it was decided that the GRULAC proposal will be discussed further at SCCR/46 which will take place in 2025. AEPO-ARTIS will continue to convince WIPO and its member states to see it as their responsibility to make sure that the WPPT and the Beijing Treaty have the effect for which they were drafted, the remuneration of our performers.</p><p>To be continued.</p>								</div>
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				</div><p>The post <a href="https://www.aepo-artis.org/aepo-artis-attends-wipo-45th-sccr/">AEPO-ARTIS attends WIPO 45th SCCR</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></content:encoded>
					
		
		
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		<title>AEPO-ARTIS writes an open letter to the Spanish President Pedro Sánchez Pérez-Castejón</title>
		<link>https://www.aepo-artis.org/aepo-artis-writes-open-letter/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=aepo-artis-writes-open-letter</link>
		
		<dc:creator><![CDATA[AEPO-ARTIS]]></dc:creator>
		<pubDate>Wed, 05 Jul 2023 10:18:45 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audiovisual]]></category>
		<category><![CDATA[Council Presidency]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[EU]]></category>
		<category><![CDATA[European Union]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Spain]]></category>
		<guid isPermaLink="false">https://www.aepo-artis.org/?p=233765</guid>

					<description><![CDATA[<p>With start of the Spanish Presidency of the Council of the European Union, and the priority of social and economic justice, AEPO-ARTIS has addressed an open letter to the Spanish President  Pedro Sánchez Pérez-Castejón.</p>
<p>The post <a href="https://www.aepo-artis.org/aepo-artis-writes-open-letter/">AEPO-ARTIS writes an open letter to the Spanish President Pedro Sánchez Pérez-Castejón</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></description>
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									<p>With start of the Spanish Presidency of the Council of the European Union, AEPO-ARTIS has addressed an open letter to the Spanish President Pedro Sánchez Pérez-Castejón with the goal to highlight the significance of culture and advocate for the enhancement of performer&#8217;s rights, aligning with the priority placed on social and economic justice during this presidency.</p>								</div>
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									<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p>Dear President of Spain,<br />Dear Mr. Sánchez Pérez-Castejón,</p></div></div><div class="layoutArea"><div class="column"><p>This week Spain officially took over the <strong>Presidency of the Council of the European Union</strong>. For the next six months Spain will be leading the rest of the European Union in taking the most important decisions that need to be taken.</p><p><a title="About" href="https://www.aepo-artis.org/about/"><strong>AEPO-ARTIS</strong></a> is a non-profit making organisation that represents 38 European performers ’ collective management organisations from 28 different countries, including the Spanish organisations AISGE and AIE. The number of performers, from the audio and audiovisual sector, represented by our members can be estimated at 650.000.</p><p>Looking at the ambitious program Spain has presented, we are grateful for the focus that is put on promoting greater social and economic justice and in particular the proposal to continue the debate at EU level on the need to improve the working, social security and tax conditions of artists through the promotion of a <strong>European Status of the Artist</strong>.</p><p>For AEPO-ARTIS, a <strong>strong protection of actors’ and musicians’ neighbouring rights</strong> is a vital element in such a Status of the Artist. This has already been recognised by the <a title="European Parliament" href="https://www.europarl.europa.eu/about-parliament/en" target="_blank" rel="noopener">European Parliament</a>. In its 2021 Resolution on the situation of artists and the cultural recovery in the EU the Parliament called copyright and neighbouring rights <em>“the core of the fair remuneration of artists and creators”</em> and insisted on the effective implementation of the 2019 Copyright directive with a strong focus on guaranteeing fair, appropriate and proportionate remuneration for performers.</p><p>So far only a <strong>few</strong> member states have <em>effectively</em> implemented this directive in a way that guarantees the principle of fair remuneration and three have not yet transposed it at all. We are therefore particularly pleased that it is Spain that has to guide these Member States in achieving an <em>effective</em> implementation.</p></div></div><div class="layoutArea"><div class="column"><p><span style="font-size: 1rem;">Spain has a long tradition of copyright legislation that is based on respect for artists. With a non-transferable right to remuneration for authors and performers for all forms of digital exploitation, Spain is the EU Member State that offers our actors and musicians the best protection in all of Europe.</span></p></div></div></div><div class="page" title="Page 2"><div class="layoutArea"><div class="column"><p>And the numbers show that this has benefited the Spanish music industry and audiovisual sector as a whole. AIE and AISGE have been able to collect and distribute remuneration for online exploitations for our performers without affecting other players. Promusicae&#8217;s most recent yearly report points out that the Spanish music industry saw its turnover increase by 12.43% in one year, for the third time in a row. And a recently published report by the European Audiovisual Observatory shows that Spain has climbed up to become the third most fiction film producing country in the EU. The climate in Spain is good. This is also confirmed by Netflix, which recently doubled its production capacity in Madrid.</p><p>We call upon the Spanish Presidency to continue to promote a strong protection of neighbouring rights and an effective right to remuneration for online exploitations during its Presidency. We trust that you will direct the Commission to closely monitor the effective implementation of the Copyright directive in all Member States with a focus on the effective improvement it has on the socio-economic position of our artists.</p><p>With the same objective, we call upon the Spanish Presidency to ensure that the ratification of the <strong><a title="BEIJING TREATY" href="https://www.aepo-artis.org/policy/beijing-treaty/" target="_blank" rel="noopener">Beijing Treaty</a> on Audiovisual Performances</strong> by the EU will effectively empower our actors and contribute to their overall Status.</p><p>Finally, we invite the Spanish Presidency to intensively collaborate with <strong>Belgium</strong> to continue this work when handing over the Presidency at the end of the year. Belgium recently took the brave political decision to bring its legislation up to the level of Spain and an intensified collaboration will help in achieving the common goal of effectively protecting performers throughout the whole EU.</p><p>We remain at your disposal to discuss any of the above further.</p><p>On behalf of every performer whose work you have ever appreciated. </p><p>Most respectfully,</p><div class="page" style="caret-color: #000000; color: #000000; text-align: start;" title="Page 2"><div class="layoutArea"><div class="column"><p><span style="font-size: 12pt; font-family: Arial; font-weight: bold;">Ioan KAES</span></p><p><span style="font-family: ArialMT; font-size: 12pt;">General-Secretary AEPO-ARTIS</span></p></div></div></div></div></div></div>								</div>
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				</div><p>The post <a href="https://www.aepo-artis.org/aepo-artis-writes-open-letter/">AEPO-ARTIS writes an open letter to the Spanish President Pedro Sánchez Pérez-Castejón</a> first appeared on <a href="https://www.aepo-artis.org">AEPO-ARTIS</a>.</p>]]></content:encoded>
					
		
		
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