A new report entitled Streams & Dreams Part 2 – The Impact of the DSM Directive on EU Artists and Musicians, written by the independent music business researcher Daniel Johansson (Inland Norway University of Applied Sciences) and published on June 13th, proves the ineffectiveness of the DSM Directive.
A new report entitled Streams & Dreams Part 2 – The Impact of the DSM Directive on EU Artists and Musicians, written by the independent music business researcher Daniel Johansson (Inland Norway University of Applied Sciences) and published on June 13th, proves the ineffectiveness of the DSM Directive.
Copyright Directive Transposition
Article 18 of the Copyright Directive (2019/790) obliges Member States to ensure that where authors and performers license or transfer their exclusive rights for the exploitation of their works or other subject matter, they are entitled to receive appropriate and proportionate remuneration.
- Transposed
- Final stage
- Draft
- No Draft
WHAT WE DO
We defend performers’ rights
Objectives
As the paramount voice of performers’ collective management organisations in Europe, the main objectives of AEPO-ARTIS are to develop, strengthen and protect performers' rights as well as to highlight the contribution that performers make to Europe’s rich and diverse cultural sector.
Members
The members of AEPO-ARTIS are among the most experienced organisations in Europe working with actors, musicians, dancers and other performers. They have all been founded by performers, for performers with the aim of collectively managing their neighbouring rights.
Our 38 member organisations represent more than 650,000 performers.
collective management organisations
different countries
performers represented