• AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 19, 2026

BECS Acts to Protect Audiovisual Performers’ Rights from Unauthorised AI Training

The British Equity Collecting Society (BECS) is taking essential action to defend audiovisual performers in the age of AI. AI developers continue to use recorded performances without consent or payment. BECS is exercising an opt–out from the EU text and data mining exception – making it unequivocally clear that our members’ performances cannot be reproduced, mined, or used to train AI systems without explicit authorisation.

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 9, 2026

Joint call for a strong budget and an ambitious sectoral approach for music within the future AgoraEU programme

Together with a number of organisations from across Europe’s music ecosystem, AEPO-ARTIS calls on the EU institutions to adopt a sector-specific strategic approach for European music, with increased funding, alongside the horizontal actions in the future AgoraEU programme 2028-2034.

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 2, 2026

MUSIC360 closing event at the European Parliament

Join us for an afternoon session at the European Parliament in Brussels on Wednesday, 25th February 2026 from 15:00 to 17:00 hrs CET (Room A3F383) kindly hosted by MEP Hélder Sousa Silva (EPP, Portugal) where The Music 360 Project will be presented...

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 19, 2026

BECS Acts to Protect Audiovisual Performers’ Rights from Unauthorised AI Training

The British Equity Collecting Society (BECS) is taking essential action to defend audiovisual performers in the age of AI. AI developers continue to use recorded performances without consent or payment. BECS is exercising an opt–out from the EU text and data mining exception – making it unequivocally clear that our members’ performances cannot be reproduced, mined, or used to train AI systems without explicit authorisation.

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 9, 2026

Joint call for a strong budget and an ambitious sectoral approach for music within the future AgoraEU programme

Together with a number of organisations from across Europe’s music ecosystem, AEPO-ARTIS calls on the EU institutions to adopt a sector-specific strategic approach for European music, with increased funding, alongside the horizontal actions in the future AgoraEU programme 2028-2034.

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 2, 2026

MUSIC360 closing event at the European Parliament

Join us for an afternoon session at the European Parliament in Brussels on Wednesday, 25th February 2026 from 15:00 to 17:00 hrs CET (Room A3F383) kindly hosted by MEP Hélder Sousa Silva (EPP, Portugal) where The Music 360 Project will be presented...

AEPO-ARTIS

Copyright Directive Implementation

Here you will find an interactive map with the latest information and legislation on the implementation process of the CDSM directive in all member states.

The Impact of the DSM Directive on EU Artists and Musicians

Streams & Dreams Part 2

A new report entitled Streams & Dreams Part 2 – The Impact of the DSM Directive on EU Artists and Musicians, written by the independent music business researcher Daniel Johansson (Inland Norway University of Applied Sciences) and published on June 13th, proves the ineffectiveness of the DSM Directive.

Based upon a survey of 9.542 artists from 19 EU countries, conducted by AEPO-ARTIS and its members in collaboration with IAO, this is one of the most substantiated reports ever done on issues related to performers in the music industry. The report is available here.

We defend performers’ rights

Objectives

As the paramount voice of performers’ collective management organisations in Europe, the main objectives of AEPO-ARTIS are to develop, strengthen and protect performers' rights as well as to highlight the contribution that performers make to Europe’s rich and diverse cultural sector.

Members

The members of AEPO-ARTIS are among the most experienced organisations in Europe working with actors, musicians, dancers and other performers. They have all been founded by performers, for performers with the aim of collectively managing their neighbouring rights.

Our 42 member organisations represent more than 650,000 performers.

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performers represented