A new report entitled Streams & Dreams Part 2 – The Impact of the DSM Directive on EU Artists and Musicians, written by the independent music business researcher Daniel Johansson (Inland Norway University of Applied Sciences) and published on June 13th, proves the ineffectiveness of the DSM Directive.
On May 16th, AEPO-ARTIS organised a seminar on the EU enlargement and the impact hereof on performer rights. With representatives from three different EC Departments, performer organisations from a.o. Türkiye, Serbia, North Macedonia and Georgia and over 65 participants, the seminar was a succesfull first step towards a strong future collaboration with performers and their organisations in the EU Candidate Member States.
On behalf of artists and other music makers, we look forward to getting down to business with members of the new government.
Together we can grow one of the UK's greatest exports - music!
@lisanandy @RhonddaBryant @Steph_Peacock @peterkyle @DCMS @The_IPO @alexsobel
With a new government and lots of new MPs in Parliament, we've just published 'Unfinished Business', summarising recent music-maker led campaigns, what has been achieved so far, and what we need from the new ministers and MPs to deliver tangible change: https://bit.ly/3xZ4H7d
A new report entitled Streams & Dreams Part 2 – The Impact of the DSM Directive on EU Artists and Musicians, written by the independent music business researcher Daniel Johansson (Inland Norway University of Applied Sciences) and published on June 13th, proves the ineffectiveness of the DSM Directive.
On May 16th, AEPO-ARTIS organised a seminar on the EU enlargement and the impact hereof on performer rights. With representatives from three different EC Departments, performer organisations from a.o. Türkiye, Serbia, North Macedonia and Georgia and over 65 participants, the seminar was a succesfull first step towards a strong future collaboration with performers and their organisations in the EU Candidate Member States.
Article 18 of the Copyright Directive (2019/790) obliges Member States to ensure that where authors and performers license or transfer their exclusive rights for the exploitation of their works or other subject matter, they are entitled to receive appropriate and proportionate remuneration.
- Transposed
- Final stage
- Draft
- No Draft
